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c. 1445 – May 17, 1510. Italian painter.

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Arnold Houbraken
Commemoration of King Mausolus by Queen Artemisia

ID: 72323

Arnold Houbraken Commemoration of King Mausolus by Queen Artemisia
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Arnold Houbraken Commemoration of King Mausolus by Queen Artemisia


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Arnold Houbraken

(28 March 1660 - 14 October 1719) was a Dutch painter and writer from Dordrecht, now remembered mainly as a biographer of artists from the Dutch Golden Age. He had ten children. His son Jacobus Houbraken (1698-1780) was an engraver of portraits and book illustrations, including books by his father. His daughter Antonina Houbraken also became an engraver for an Amsterdam publisher, and is known today for her embellishment of cityscapes and buildings with animals and people. Houbraken was sent first to learn threadtwisting from Johannes de Haan, who introduced him to engraving. After two years he then studied art with Willem van Drielenburch, who he was with during the rampjaar, the year 1672. He then studied 9 months with Jacobus Leveck and finally, four years with Samuel van Hoogstraten. In 1685 he married Sara Sasbout, and around 1709 he moved from Dordrecht to Amsterdam. Arnold Houbraken painted mythological and religious paintings, portraits and landscapes.   Related Paintings of Arnold Houbraken :. | Madonna with Child with Young John the Baptist | Plucked Turkey | De Koestal | The Flight into Egypt | Garland of flowers with a sculpture of the Virgin Mary |
Related Artists:
Master of the Saint Ursula Legend
Flemish Northern Renaissance Painter, active 1475-1500
Fedor Alekseev
(c. 1753 ?C November 23, 1824) was an early Russian painter of landscape art. After training in the Saint Petersburg Imperial Academy of Arts, he spent three years in Venice studying the works of famous French and Italian landscape painters. Returning to Saint Petersburg to work, his popularity grew over time. In 1800, Emperor Paul of Russia commissioned a series of paintings of Moscow from him.
Jean Barbault
French Painter, 1718-1762, French painter and engraver. A pupil in Paris of Jean Restout II, in 1745 he failed to win the Prix de Rome and at his own expense went to Rome early in 1747. The following year, by which time he was a member of the circle of Paolo Anesi, Philothee-Francois Duflos, Jean-Laurent Legeay and Giovanni Battista Piranesi, Barbault made engravings for the Varie vedute di Roma antica e moderna published in Rome. As a painter he was encouraged by Jean-Francois de Troy, director of the Academie de France, who commissioned from him 20 small pictures representing characters from the Turkish masquerade organized by the pensionnaires for the carnival of 1748, of which 11 survive (Beauvais, Mus. Dept. Oise; Narbonne, Mus. A. & Hist.; Paris, Louvre (see fig.); Venice, Col. Cini; and elsewhere). When, by special favour, he became a pensionnaire at the Acad?mie (1749-53), he made a copy (Lille, Mus. B.-A., destr. 1916) for Louis XIV of Luca Penni's fresco the Baptism of Constantine in the Vatican Stanze (it was then attributed to Raphael). While travelling in Rome, Abel-Fran?ois Poisson de Vandieres, Marquis de Marigny, commissioned a series of Italian Costumes, of which some of the originals or replicas remain (Castres, Mus. Goya; Dijon, Mus. B.-A.; Orleans, Mus. B.-A.; Paris, Louvre). In 1751 Barbault depicted the planned procession of the pensionnaires for the carnival in a frieze-like painting (380*3920 mm), the Masquerade of the Four Corners of the World (Besaneon, Mus. B.-A. & Arch?ol.). Many of Barbault's idealized Roman landscapes date from this period (examples Angers, Mus. B.-A.; Baltimore, MD, Walters A.G.; Madrid, Mus. Cerralbo; Notre Dame, IN, Snite Mus. A.; and elsewhere), but above all he wanted to be a painter in the grand manner, painting St Francois de Sales Placing Jeanne de Chantal under the Protection of St Vincent de Paul (Rome, SS Giovanni e Paolo) for the beatification of Ste Jeanne de Chantal in 1751.






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